Gesualdo: Rebel or Rogue?
February 6, 2012 – 6:00 am | No Comment

Carlo Gesualdo was a prince and landholder in Venosa in southeastern Italy. Around 1588 his wife began an affair with a gentleman in the vicinity. In 1590 Gesualdo, found the pair in bed together, stabbed them both, and hung their corpses in front of his castle for all to see. The story was retold repeatedly by poets of the day in a sixteenth-century equivalent of headline news. Was Gesualdo really a renegade as well as a murderer? Was he even a “modernist” of his time?

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Home » Classical Music, Music

More from Alex Ross…Let the Applause Be Heard

Submitted by on April 30, 2010 – 1:11 pmOne Comment

In March, Alex Ross gave a lecture at the Royal Philharmonic Society in London about the seemingly age-old tradition of not applauding during classical music (as a tradition, it actually dates back less than 100 years, and was controversial even when it first started appearing with some regularity).  London’s Guardian excerpted his talk (which can also be found in its lengthier version here).

What do you think of the practice?  Or of Ross’s other observations about what he refers to as “the other tics of concert life”?

Let the debate begin!

Categories: Classical Music, Music

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About

Sara Billmann has served as UMS's Director of Marketing & Communications since 1996. A former UMS intern, she celebrates her 20th UMS season this year.

One Comment »

  • avatar Jon Busch says:

    Allowing audiences to more freely interact with music that moves them might remove some of the "stuffed shirt" reputation associated with classical music. I'm not sure about applauding for individual solos as in a jazz performance, but applauding in between sections of a larger work would be no more impolite than applauding after a magnificent opera aria.

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