Carlo Gesualdo was a prince and landholder in Venosa in southeastern Italy. Around 1588 his wife began an affair with a gentleman in the vicinity. In 1590 Gesualdo, found the pair in bed together, stabbed them both, and hung their corpses in front of his castle for all to see. The story was retold repeatedly by poets of the day in a sixteenth-century equivalent of headline news. Was Gesualdo really a renegade as well as a murderer? Was he even a “modernist” of his time?
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From classical to jazz and global rhythms, discover more about the artists and styles that appear on UMS’s stages.
From Shakespeare to performance art, ballet to modern, the UMS stage comes alive with theater and dance.
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Widely credited as one of the greatest artistic achievements of the 20th century, the opera Einstein on the Beach launched director Robert Wilson and composer Philip Glass to international success when it was first produced in Avignon, France in 1976.
In this video, featuring Einstein’s original creative team, Philip Glass remembers the first night of Einstein, Robert Wilson sits next to Arthur Miller, and Lucinda Childs recollects the “Supermarket Speech.”
Robert Wilson fans will have much to do in Ann Arbor this winter. Einstein on the Beach, a screening of Absolute Wilson, and Video 50 at UMMA, an exhibit of Wilson’s “smaller-scale” experiments in video, is “classic surrealism.”
What’s a renegade to you? How do you know when a work is truly game-changing, experimental or history-making? Give us your answer in 7 words to enter to win tickets!
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UMS first presented Handel’s Messiah in December of 1879. Over several weeks, we released a series of Messiah Memories webisodes from everyone involved over the years. We couldn’t resist releasing these staff bloopers.